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Published: October 5, 2022
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The aftermost time we saw Ralph and Katie, they’d aloof had the bells of the year. So what happened next?
In this new 6×30 ball ball for BBC One and iPlayer, acknowledgment to the adorableness and splendour of the Lake District, and adventure with the brace as they commence on their aboriginal year of marriage.
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Navigating their own way through life, adulation and independence, Ralph and Katie will face abounding of the challenges faced by all newlyweds… but with the added absolution or aggravation that they both acquire Down’s syndrome.
Returning to screens, Leon Harrop (Brassic, No Offence, The Street) and Sarah Gordy (The Continued Call, Strike, Alarm the Midwife) will booty Ralph and Katie on an affecting rollercoaster, accurate by some new faces and the odd accustomed ascendant parent…
Joining showrunner Peter Bowker are bristles of the UK’s best arising d/Deaf, disabled and neurodivergent writers – Genevieve Barr, Annalisa Dinnella, Amy Trigg, Lizzie Watson and Tom Wentworth.
Jordan Hogg (Screw, Afterlife in Paradise, Ackley Bridge) – a administrator with bookish attached – completes the aggregation to accompany this groundbreaking, heartwarming and perception- arduous alternation to a primetime, boilerplate audience.
GK
The A Word alternation three was advertisement during the aboriginal lockdown and the adventure featuring Ralph and Katie’s bells acquainted like the anniversary of adulation and assortment that we all bare at the time. Aggressive by the accuracy of Leon and Sarah’s performances, I anticipation we could body a ball about the aboriginal year of Ralph and Katie’s marriage. Such a appearance additionally addled me as the complete befalling to advertise arising d/Deaf, disabled and neurodivergent autograph talent. Within days, the BBC had commissioned six bisected hours of Ralph & Katie.
Kat Pugsley and I again set about recruiting bristles writers to anatomy the bulk autograph team. With the advice of BBC Writersroom, we arrive over 30 writers to abide adventure pitches aggressive by what they’d apparent of Ralph and Katie in The A Word and area they were absorbed in demography them. We met a shortlist of writers on Zoom and then, with abundant difficulty, narrowed the account bottomward to our admirable aggregation of five. It was at this date that I realised I had landed myself a job I’d never done before: that of Showrunner.
The alone showrunners I had met so far were during my brief and adverse time in LA. They